Binge-Watching 2025's Festive Features: The Good, The Bad and The So-Bad-It's-Good.

‘Tis the season to lounge on the sofa and consume a packet of festive treats in front of a good movie, a bad movie, or one that’s so bad it’s good.

Once again, a batch of latest Christmas films hopes to be part of our holiday traditions—perhaps even earning a place alongside enduring classics like Home Alone, Elf, Love Actually, and Die Hard (don’t start).

Thus, in a vital public service to distinguish the gems from the coal, and to find the festive feeling, I marathoned as many new Christmas films as possible in a single day.

First Up: The Jonas Brothers' Holiday Flick

Starting, ideally, on a high. This is the sole 2025 movie on a popular review site's list of the best 100 Christmas movies of all time.

The Jonas Brothers find themselves stuck in the UK after concluding their world tour and must return for Christmas. Their attempts are hampered by an villainous Saint Nick, who breaks into song to announce they won’t get home until they “find their brotherly magic.”

The banter between the arguing trio is entertaining even for the uninitiated, while devotees will certainly notice lots of references as they endeavor to get back using any means of transport necessary.

It’s private planes, trains and automobiles.

It’s not an all-time classic, but is superb for fans and a solid start to the day.

Festive score: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their loved ones who will have to sit through it.

Late Morning: Tinsel Town

Hollywood star Kiefer Sutherland has been cast as a movie actor tricked into a pantomime.

“A panto-what??” asks Sutherland’s “temperamental” and older action hero Brad Mack, who has fallen on hard times and whose manager has misled him into thinking he’s performing in high-class London stage.

His Aladdin fellow actors let him know he’s playing Buttons. “Oh no I’m not,” he protests. You can guess their reply. Unless you’re ignorant of traditional British theatre traditions.

There are some very funny lines, some cockle-warming storylines, and the supporting actors is excellent, too.

It’s the sort of feature that would be a bit cheesy at a different time, but is a great entertainment at Christmas.

Festive score: 🎄🎄🎄🎄

Mid-Morning: Christmas Karma

Danny Dyer appears at the start of this film, too, calling someone a mug for the next movie straight. Could this be a new Christmas tradition?

This time, he’s a crooning chauffeur who collects Mr Sood, the latest spin on Mr Scrooge from Charles Dickens’ A Christmas Carol.

Mr Sood is played by an actor from Kunal Nayyar and Christmas Karma is directed by the director of Gurinder Chadha. The familiar story unfolds as the tight-fisted Mr Sood is haunted by the apparitions of Christmas past, present and future, played by Hugh Bonneville, Billy Porter, and Boy George.

This cultural adaptation is at least different from all the others, but unfortunately he’s not very compelling and Nayyar’s portrayal is lifeless—a problem when he’s so the main character.

Holiday verdict: 🎄🎄

Lunchtime: Stuffed

Before lunch for a network's Christmas comedy-drama—which stars Guz Khan as a lovably grouchy guy who “avoids Christmas.”

But after he is awarded an sizable holiday payout at work, his wife (starring Morgana Robinson) convinces him splurging the cash on a vacation to Lapland.

There’s just one problem—he learns there was an mistake with his bonus, which should have been £800, and he has to devise a plan for how to return the excess.

Enjoyable but forgettable.

Festive score: 🎄🎄

1.12pm - Champagne Problems

This is one of those holiday movies where the festive trappings are in the background—Christmas is the environment of the film rather than its raison d’etre—but it feels comfortable and seasonal all the same.

Ambitious executive Sydney (starring Minka Kelly) is dispatched to a vineyard to negotiate a purchase for a champagne business. En route, she encounters a man in a book store who promises to show her the holidays in the City of Light.

An expert recently declared this is the finest new Christmas film of the recent era. That’s a bit of a exaggeration, but it is a festive dalliance with a hint of sophistication and gives the obligatory cozy feelings.

The scene with a detailed conversation about Die Hard is particularly strong too.

Festive score: 🎄🎄🎄

A Charming Quest

Young Chris, played by Lenny Rush, continues to believe in Father Christmas, despite the attempts of his dad (played by James Buckley) to tell him the truth.

The truth is somewhere, and Chris sets out to find it with the guidance of a panel of well-known figures.

It’s gentle but sweet, and good viewing while expecting Santa to visit.

Festive score: 🎄🎄🎄

Late Afternoon: Oh. What. Fun.

Michelle Pfeiffer is the mother of a dysfunctional American family who come back together for the holidays—including other acclaimed actress Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.

Pfeiffer begins by referencing classic festive films like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before stating: “They need to make a movie about the true heroes of the holidays—moms.”

So that’s the concept, but in reality it’s really a combination of those inspirations, at least until Pfeiffer’s character eventually finds her strength.

Festive score: 🎄🎄

6.43pm - A Scottish Christmas Secret

The day’s waned in quality, but fortunately here’s a new offering in the packed genre of cliched, saccharine, over-the-top—and utterly watchable—seasonal comfort food.

It’s a narrative as old as time: An American woman travels to a distant snowy land and ends up stumbling across romance.

In this case, Caprice Bourret plays a publisher

Gary Jackson
Gary Jackson

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